See Through Dresses – “Lucy’s Arm”
From Tiny Engines:
See Through Dresses released its Tiny Engines debut End of Days in the Fall of 2015, introducing a wider audience to a sound both intrinsic and environmental, with stark contrasts between its principal songwriters’ devastatingly riff-heavy jams and endearingly honest confessionals. It showcased what the band can do in spaces where guitars and rhythms rule the roost.
If End of Days is its rock record, Horse of the Other World, out June 14th, is See Through Dresses’ dreamy opus. Recorded in 2016 in two locations — ARC Studios with Ben Brodin (Pile, First Aid Kit, The Good Life) and at the band’s home studio, Little Machine, by Mathew Carroll — it signals a sonic leap into a more ethereal, soundscape-driven aesthetic.
Reverb-drenched and synth-laden, Horse of the Other World blends Carroll and Bertuldo’s masterful mood creation and technical prowess while further exploring the depths of the band’s dynamics. “Pretty Police” mixes sparkle and bounce with brood, while “Violet” cuts sharply via crystalline keys and arpeggiated chords. Bassist Alex Kirts pumps the album’s bleeding heart and drummer Nate Van Fleet is tactical and creative. Their playing shines as the foundation of songs like “Lucy’s Arm” and “Herbivore,” whose climaxes are textbook See Through Dresses.
See Through Dresses are one of the best examples of modern post-punk. They mix classic shoegaze and dream pop elements with driving punk rock. They make art without getting pretentious.
Horse of the Other World is an A+ record from front to back. “Lucy’s Arm” is a hell of a single. Those shared vocals on the verses are fantastic.
See Through Dresses
Sheer – “Stutter”
From The Native Sound:
A year and a half since the release of their debut album, and two member changes later, Sheer are back.
With their new EP Psychic Quarry, Sheer embrace a change that finds the band at their most relaxed and inspired. While their debut LP Uneasy introduced the band as one with a kinship for dreamy, reverb-induced soundscapes, Psychic Quarry is a much more catchy, and indie rock-informed affair.
The six songs on Psychic Quarry cover a lot of ground – feelings of anxiety and depression, the vulnerability of intimacy, and even the post-election shock many of found ourselves coping with.
Stutter isn’t a single. I don’t know that it’s really a thing to share here in this space. I really like this band. Psychic Quarry is a great record. It came out back in April, and I probably should have talked about it then.
Anyway, go grab the damn thing.
The Native Sound
Post Lovers – “Going Away”
From the inbox:
Athens based Post Lovers is a solo project created by Eleni Karageorgou. Post Lovers play short, indie folk tunes, blending a-bit-too personal songwriting with playful backing vocals, all set in a 90’s background. Their beneficiary musicians kindly contribute to both their rehearsals and live gigs. Post Lovers take a step at a time: girls, friends, lovers, post lovers.
Their first official release is the single “Melbourne/Going Anyway” coming out on August 1st through the 7-inch series “A Distant Victory Singles Club” via Inner Ear Records.
These indie pop songs always sound good in the summer. Is twee seasonal? Anyway, “Going Away” is the b-side on Post Lovers’ upcoming single. Both it and “Melbourne” are great songs. The 7″ will be out on August 1. It’s part of Inner Ears’ subscription series. You can check that out here.
Inner Ear Records
Perennial released their first EP back in 2015. Early Sounds For Night Owls was a quick four song record that I still don’t think got the attention it deserved. It had all the heart and intensity that you would want from a record, especially in a genre as driven as post-hardcore. It’s essential listening. Especially if you want to understand the artistic side of underground music. But that’s 2015, and it’s now two years later. Where do we stand?
The Symmetry Of Autumn Leaves is the new record, and it’s probably my favorite record of 2017 so far. I mean that with no hyperbole. Perennial have raised the bar. The Symmetry Of Autumn Leaves fucking goes. It’s one of those records where you can tell what songs are going to absolutely wreck the place live. “La Fugue Pour Béton brut” is definitely one of them. I feel like “Evergreen, un deux trois,” “Resolver,” and “Hippolyta” are definitely contenders too. Those songs are quick bursts of aggressive energy. Shit, the whole record is.
The evolution of Perennial’s sound is key to what makes everything work. First, the increased vocal presence of Chelsey Hahn adds a lot of depth. The way her vocals work with Chad Jewett’s is one of the many standouts on the records. Those two were the heart of Lion Cub, so it’s no surprise that they work so well together. To that point, the increased presence of the keyboards and sampling also change the dynamic a lot. That texture existed on Early Sounds For Night Owls, but that record still felt more guitar driven. The song that best shows that shift is “La Fugue Pour Béton brut.” That song appeared on the EP in 2015, and a reworked version shows up here. It’s the best.
The Symmetry Of Autumn Leaves is an amazing record from start to finish. It’s a perfect mix of art school punk and post-hardcore. The energy, the passion, everything.
Howling Frequency Records
Night Talks – “In Dreams”
From the inbox:
“In Dreams” is also the new single by alt-rock band Night Talks. They’re from Los Angeles, born and raised, and they define their own sound as pretty lush, equal parts heavy and delicate. Regarding this song, front-woman Soraya said: “”In Dreams” is about having a terrible day and then realizing that you can, indeed, move past it. Everyone deals with really awful things in their lives, and we wanted this song to remind people that more often than not, you can move on and try to enjoy what life has to offer you. It just takes time.”
Night Talks is a pretty solid indie / alt rock band out of Los Angeles. “In Dreams,” the title track from their full length, is definitely one of the more mellow cuts from the record. It’s the closing track, so it makes sense. The full record is pretty solid. It’s on Spotify and Soundcloud, give it a listen
The email letting me know about this song had a gif of a dog rolling itself up in a blanket (like a burrito!). So, y’know, that was also pretty dope.
I primarily focus on full records, but there are great singles and videos floating around. Here is a thing you should listen to.
Western Divide – “The Reprise”
Western Divide is a great sounding punk rock band from California. They’ve got a sound that intersects with various flavors of the genre. There’s some Americana type stuff (think Gaslight Anthem et al.). There’s some indie rock moves in there too. It’s tied together with some vocals that come straight out of hardcore. It’s an interesting sound that the band does well.
“The Reprise” is a gruff, driving punk rock song with a great melodic heart. The song is about the moment when good parts of a new relationship finally overtake the bad feelings left over from an old one. Anyway, this video was released about a month ago. I move at the speed of “fuck, you’re just covering this now?”, so here it I guess.
Western Divide’s debut EP, Fall in Love to This, is out next week. The record is solid as fuck. Make sure to check it out.
Moral Straightjacket are a two piece band from Irvine, California. They’ve been steadily releasing records for a few years now, and their new EP is a great addition to that discography. I’ll Be Your Rainbow is a stellar three song primer of what this band can do.
Moral Straightjacket are primarily a “post-” band. The mix of post-hardcore and post-punk gives the band a bigger sound than duos usually have. The songs are primarily built around guitar and drum, but they don’t sound limited in scope or nature. I’ll Be Your Rainbow is a great example of a band doing a lot with a little.
The vocal duties on this record are split. One track for each member, and one featuring guest vocals from M. Blue Wizards (vocals by John) and Blood Orange (vocals by Lucas) provide bookends. The vocals are what really make this band stand out to me. John has a very standard voice in genre terms, and Lucas sings in a baritone voice that still isn’t very common in genre music (or rock music in general).
The three songs cover a lot of ground musically. “Blue Wizards” opens the EP, and it fucking goes. It has a very Repeater-era Fugazi vibe to it. “Evergreen” has a much more mellow vibe. M’s vocals hold court on this one, and goddamn does she sound good. The acoustic driven “Blood Orange” calms things down even more as a closer.
Moral Straightjacket has been around for a minute now, and they’ve got a really strong discography. There is no reason not to check this out. I’ll Be Your Rainbow is probably one of my favorite post- records so far this year. And, seriously, “Blue Wizards” fucking goes.
Ruined Smile Records