Song Of The Week (6/9/17) // gadget and the cloud – “Continue”

This blog will be seven years old on Tuesday. I figure I should finally do a new feature or something. Song of the week is the way to go, I guess.

I primarily focus on full records around here, but there are great singles and videos floating around. Here is a thing you should listen to.

gadget and the cloud – “Continue”

There is a new(ish) gadget and the cloud song out. It actually came out last month, but I’m really slow about things. “Continue” is yet another great track from Kelly Doherty. Subscribe to her Soundcloud for more chilled out tracks and instrumental beats.

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REVIEW: Gadget and the Cloud – “October 31st”

gatcoctober31

Cork, Ireland’s Kelly Doherty makes some pretty great music under the name Gadget and the Cloud. October 31st is a hell of an EP, and is definitely worth checking out. It is a great instrumental electronic/ambient type sound. Strong influences from post-rock and electronic indie.

Things fluctuate between delicate and ambient and noisy and jarring. Everything has it’s own flavor. “Grove,” clocking in at just under three minutes, sets the tone perfectly. It is very chill, and almost droney. It transitions perfectly into “Flake,” which has a larger sound to it. It’s more cinematic, I suppose.

“Trace” serves as an interesting transition. It has a similar energy to the aforementioned songs, but has a darker sound to it overall. It works to ease into the darker sounding “October 30th” and “October 31st.” The former is very quiet, with a static sound throughout. It has an almost foreboding sound to it. “October 31st” kicks that up even higher.

Gadget and the Cloud is a very interesting project overall. There are bits and pieces of stuff like Boards Of Canada, Ricky Eat Acid, and Coma Cinema. Doherty never leans too heavily on any particular influence, and has a definite voice of her own. I can’t wait to hear more

Gadget and the Cloud (Soundcloud)
Bandcamp

PS: This is on Bandcamp, but more recent songs are already up on Soundcloud.

REVIEW: Miserable – “Halloween Dream”

miserableThe first thing I noticed about Halloween Dream is how much beauty and soul there is on the record. While Kristina Esfandari is constantly getting the ex-Whirr tag, her solo material is strong enough to kill that talking point. As a solo artist, as Miserable, she’s made one of the most engaging records I’ve heard in quite some time.

Halloween Dream is record that shows how “atmospheric” doesn’t always mean “light.” Esfandari’s ethereal vocals weave beautifully in and out of reverb heavy, distorted music. When playing this type of music, it’s easy to use the production as a crutch. The denseness can cover up songwriting deficiencies, the reverb, delays, and distortion can make boring music sound less boring. That’s why it’s great when you hear it done right.

It’s easy to get lost in the music. It’s easy to put a record like this on, and just let it take over. One of my favorite parts of the record is how, even without actively listening to the lyrics, you can tell exactly what is going on. Esfandari projects so much with just her vocal delivery. You can hear the emotion, desire, and regret in these songs.

I feel bad calling this just an “insert whatever genre” record. To call it just one thing or another feels too narrow. It can be ambient and melodic in one part, then fucking heavy and dense in another. If I had to call it something, I’m not sure what i’d say. Metallic shoegaze with post-rock flair? Sure, why the fuck not? It’s beautiful.

Miserable (Facebook)
The Native Sound
BandCamp
Buy It